Abend- und Morgenrot (After glow and sunrise) song for voice and piano
Year of origin: 1878, o.op. 42 (TrV 60)
Poetry for voice and piano (8): Zueignung; Nichts; Die Nacht; Die Georgine; Geduld; Die Verschwiegenen; Die Zeitlose; Allerseelen
Year of origin: 1885, op. 10 (TrV 141)
Eight songs for voice and piano: Waldseligkeit; In goldener Fülle; Wiegenliedchen; Das Lied des Steinklopfers; Sie wissen's nicht; Junggesellenschwur; Wer lieben will, muß leiden; Ach, was Kummer, Qual und Schmerzen
Year of origin: 1901, op. 49 (TrV 204)
Alphorn song for voice, horn and piano
Year of origin: 1878, o.op. 29 (TrV 64)
Ballade for voice and piano
Year of origin: 1882, AV 173 (TrV 113)
Begegnung (Encounter)
Year of origin: 1880, o.op. 72 (TrV 98)
Blick vom oberen Belvedere (View from the upper belvedere) song for high voice and piano
Year of origin: 1942, o.op. 130 (TrV 281)
Das Bächlein (The creek)
Year of origin: 1933, o.op. 118 (TrV 264)
Das rote Laub (The red leaves)
Year of origin: 1879, AV 161 (TrV 78)
Der böhmische Musikant (the Czech musician)
Year of origin: 1871, o.op. 7 (TrV 7)
Der Dorn ist Zeichen der Verneinung (The thorn is a sign of denial)
Year of origin: 1884, AV 176 (TrV 129)
Der Fischer (the fisher)
Year of origin: 1877, o.op. 33 (TrV 48)
Der Graf von Rom (the baron of Rome)
Year of origin: 1906, o.op. 102 (TrV 218)
Der Morgen (the morning)
Year of origin: 1880, AV 165 (TrV 89)
Der müde Wanderer (the weary wanderer)
Year of origin: 1873, o.op. 13 (TrV 16)
Des Alpenhirten Abschied (the alpine pastoral farewell)
Year of origin: 1872, AV 151 (TrV 13)
Die drei Lieder (The three songs)
Year of origin: 1879, AV 164 (TrV 87)
Die Drossel (The mockingbird)
Year of origin: 1877, o.op. 34 (TrV 49)
Die erwachte Rose (The awakened rose)
Year of origin: 1880, o.op. 66 (TrV 90)
Drei Gesänge älterer deutscher Dichter (chants of old German poets) for high voice with piano accompaniment: An sie (For her); Muttertändelei (Mother chatter); Die Ulme zu Hirsau (The elm of Hirsau)
Year of origin: 1899, op. 43 (TrV 196)
Three Hymns for soprano, tenor and orchestra: Hymne an die Liebe (Hymn to love); Rückkehr in die Heimat (Return to the homeland); Die Liebe (Love)
Year of origin: 1921, op. 71 (TrV 240)
Three songs for soprano and piano accompaniment: Traum durch die Dämmerung (Dreaming through the twilight); Schlagende Herzen (Beating hearts); Nachtgang (Night Stroll)
Year of origin: 1895, op. 29 (TrV 172)
Lieder (Three Songs): Waldesgesang (Forest song); O schneller mein Roß (Oh my horse, faster), Die Lilien glühn in Düften (The lilies glow in fragrance)
Year of origin: 1879, o.op. 55, AV 160 (TrV 75)
Durch allen Schall und Klang (Through sounds and chimes)
Year of origin: 1925, o.op. 111 (TrV 251)
Ein Röslein zog ich mir im Garten (I planted a little rose in my garden)
Year of origin: 1878, o.op. 49 (TrV 67)
Ein Spielmann und sein Kind (A minstrel and his child), Ballade for soprano and orchestra
Year of origin: 1878, o.op. 46 (TrV 63)
Einkehr (Retreat)
Year of origin: 1871, o.op. 3 (TrV 3)
Erschaffen und Beleben (Creating and Reviving), for bass voice and piano
Year of origin: 1922, o.op. 106 (TrV 244)
Frühlingsanfang (Beginning of Spring)
Year of origin: 1879, AV 162 (TrV 77)
Five Poems: Ein Obdach gegen Sturm und Regen (A shelter against storm and rain); Gestern war ich Atlas (Yesterday I was Atlas); Die sieben Siegel (The seven seals); Morgenrot (Dawn); Ich sehe wie in einem Spiegel (I see as if reflected in a mirror)
Year of origin: 1900, op. 46 (TrV 199)
Five small songs (Lieder): Der Stern (The star); Der Pokal (The goblet); Einerlei (Singular one); Waldesfahrt (Forest Drive); Schlechtes Wetter (Bad weather)
Year of origin: 1918, op. 69 (TrV 237)
Five songs (Lieder): Auf ein Kind (On a child); Des Dichters Abendgang (Of the poet’s evening walk); Rückleben (Living in the past); Einkehr (Stopping at an inn); Von den sieben Zechbrüdern (About the seven drinking brothers)
Year of origin: 1900, op. 47 (TrV 200)
Five songs (Lieder): Freundliche Vision (A pleasant vision); Ich schwebe (I float); Kling! (Ring!); Winterweihe (In these winter days); Winterliebe (Winter love)
Year of origin: 1900, op. 48 (TrV 202)
Five songs (Lieder) for middle voice with piano accompaniment: Madrigal; Winternacht (A winter’s night); Lob des Leidens (In praise of sorrow); Aus den Liedern der Trauer (Songs of sadness); Heimkehr (Returning home)
Year of origin: 1886, op. 15 (TrV 148)
Five songs (Lieder): Ich trage meine Minne (I carry my love); Sehnsucht (Longing); Liebeshymnus (Love Hymn); O süßer Mai (Oh sweet May); Himmelsboten (Messengers from heaven)
Year of origin: 1896, op. 32 (TrV 174)
Five Songs (Lieder): Leises Lied (Quiet song); Junghexenlied (The song of the young witch); Der Arbeitsmann (The workman); Befreit (Freed); Lied an meinen Sohn (Song to my son)
Year of origin: 1898, op. 39 (TrV 189)
Five Songs (Lieder): Wiegenlied (Cradle song); In der Campagna (In the Roman campagna); Am Ufer (On the shore); Bruder Liederlich (Brother Slovenly); Leise Lieder (Quiet songs)
Year of origin: 1899, op. 41 (TrV 195)
Für Musik (For Music) song for voice and piano
Year of origin: 1879, AV 158 (TrV 74)
Geheiligte Stätte (Sacred Sites) for voice and piano
Year of origin: 1881, AV 170 (TrV 107)
Songs of the Orient: Ihre Augen (Your eyes); Schwung (Momentum); Liebesgeschenke (Love gifts); Die Allmächtige (The all-mighty); Huldigung (Homage)
Year of origin: 1928, op. 77 (TrV 257)
Gute Nacht (Good night)
Year of origin: 1871, AV 193 (TrV 10)
Herbstgaben (Autumn offerings- Fragment)
Year of origin: unknown, AV 244 (TrV 226)
Herz, mein Herz (My Love, my heart)
Year of origin: 1871, o.op. 8 (TrV 8)
Husarenlied (Hussar Song)
Year of origin: 1876, o.op. 14 (TrV 42)
Im Sonnenschein (In the sunshine) song for voice and piano
Year of origin: 1935, o.op. 121 (TrV 268)
Im Walde (In the woods) songs for voice and piano
Year of origin: 1878, o.op. 43 (TrV 62)
Immer leiser wird mein Schlummer (My slumber is always getting softer)
Year of origin: 1880, AV 166 (TrV 97)
In Vaters Garten heimlich steht ein Blümlein (In Father’s garden there secretly stands a little flower)
Year of origin: 1879, o.op. 64 (TrV 88)
John Anderson
Year of origin: 1880, o.op. 73 (TrV 101)
Krämerspiegel (The Shopkeeper’s Mirror) a collection of 12 songs
Es war einmal ein Bock; (There once was a goat)
Einst kam der Bock als Bote; (Once the goat came as a messenger)
Es liebte einst ein Hase; (There once was a rabbit)
Drei Masken sah ich am Himmel stehn; (I saw three masks upon the heavens)
Hast du ein Tongedicht vollbracht; (When you have completed a tone poem)
O lieber Künstler sei ermahnt; (Oh dear artist, be warned)
Unser Feind ist, großer Gott; (Our enemy is, great God)
Von Händlern wird die Kunst bedroht; (Art is threatened by the mongers)
Es war mal eine Wanze; (There once was a bedbug)
Die Künstler sind die Schöpfer; (Artist are the creators)
Die Händler und die Macher; (The traders and the doers)
O Schröpferschwarm, o Händlerkreis, (Oh swarm of fleecers, oh circle of traders)
Year of origin: 1918, op. 66 (TrV 236)
Laß ruhn die Toten (Let the dead rest)
Year of origin: 1877, o.op. 35 (TrV 50)
Lust und Qual (Pleasure and pain)
Year of origin: 1877, o.op. 36 (TrV 51)
Mädchenblumen (Girls Flowers): Efeu (Ivy), Kornblumen (Corn flowers), Mohnblumen (Poppy), Wasserrose (Water rose),
Year of origin: 1888, op. 22 (TrV 153)
Malven
Year of origin: 1948, AV 304 (TrV 297)
Mein Geist ist trüb (My spirit is dim)
Year of origin: 1884, AV 175 (TrV 128)
Mutter, o sing mich zur Ruh (Mother, oh sing me to rest)
Year of origin: 1880, AV 167 (TrV 100)
Nebel (Fog)
Year of origin: 1878, o.op. 47 (TrV 65)
Rote Rosen (Red roses)
Year of origin: 1883, o.op. 76 (TrV 119)
Sankt Michael (Saint Michael) for bass voice and piano
Year of origin: 1942, o.op. 129 (TrV 280)
Schlichte Weisen: All mein' Gedanken (All my thoughts); Du meines Herzens Krönelein (You my heart’s crown); Ach Lieb, ich muß nun scheiden (Alas my love, I must now part from you); Ach weh mir unglückhaftem Mann (Alas, I am an unlucky man); Die Frauen sind oft fromm und still (Women are often pious and quiet)
Year of origin: 1889, op. 21 (TrV 160)
Six songs from Lotusblätter by A. F. Graf von Schack: Wozu noch, Mädchen, soll es frommen (What’s the use maiden); Breit' über mein Haupt dein schwarzes Haar (Spread your black hair over my head); Schön sind, doch kalt die Himmelssterne (The heavenly stars are fair but cold); Wie sollten wir geheim sie halten (How shall we keep it secret); Hoffen und wieder verzagen (Hoping and despairing again); Mein Herz ist stumm, mein Herz ist kalt (My heart is dumb, my heart is cold)
Year of origin: 1888, op. 19 (TrV 152)
Six songs (Lieder) for a soprano with piano accompaniment: Three songs from Goethe’s West-East Diwan: Hab' ich euch denn je greaten (Have I ever advised you), Wanderers Gemütsruhe (A traveler’s serenity), Wer wird von der Welt verlangen (Who would demand of the world); Three songs from Ophelia of Shakespeare’s Hamlet: Guten Morgen 's ist Sankt Valentinstag (Good morning, its Valentine’s day), Sie trugen ihn auf der Bahre bloß (they carried him on the stretcher), Wie erkenn' ich mein Treulieb' (How do I recognise my true love)
Year of origin: 1918, op. 67 (TrV 238)
Sechs Lieder für hohe Stimme mit Pianobegleitung: Glückes genug; Ich liebe dich; Meinem Kinde; Du bist mein Auge; Herr Lenz; Hochzeitlich Lied,
Year of origin: 1898, op. 37 (TrV 187)
Six Songs (Lieder): An die Nacht (To the night); Ich wollt ein Sträußlein binden (I would have made a bouquet); Säus'le, liebe Myrte! (Rustle, dear myrtle!); Als mir dein Lied erklang (When I heard your song); Amor (Love); Lied der Frauen (Song of women)
Year of origin: 1918, op. 68 (TrV 235)
Six Songs (Lieder): Gefunden (Found); Blindenklage (Blind man’s lament); Im Spätboot (In the last boat); Mit deinen blauen Augen (With your blue eyes); Frühlingsfeier (Spring feast); Die heiligen drei Könige aus Morgenland (The three holy kings from the eastern land)
Year of origin: 1905, op. 56 (TrV 220)
Six Songs (Lieder): by A. F. von Schack for high voice and piano accompaniment: Seitdem dein Aug' in meines schaute (Ever since your eyes looked into mine); Ständchen (Serenade); Das Geheimnis (The secret); Aus den Liedern der Trauer (From the songs of sorrow); Nur Mut! (Only courage!); Barcarole,
Year of origin: 1886, op. 17 (TrV 149)
Sinnspruch (Motto)
Year of origin: 1919, o.op. 105 (TrV 239)
Skatcanon for four men’s voices
Year of origin: 1903, o.op. 95 A (TrV 210)
Soldatenlied (Soldier’s song) for a deep voice and piano
Year of origin: 1878, o.op. 48 (TrV 66)
Spielmann und Zither (Minstrel and Zither)
Year of origin: 1878, o.op. 40 (TrV 58)
Spruch (Sayings)
Year of origin: 1930, o.op. 116 (TrV 261)
Und dann nicht mehr (and then no more) for bass voice with piano
Year of origin: 1929, o.op. 114 (TrV 258)
Four chants for a voice type with orchestra accompaniment: Verführung (Seduction); Gesang der Apollopriesterin (Song of the priestess Apollo); Hymnus; Pilgers Morgenlied (Pilgrim’s morning song)
Year of origin: 1896, op. 33 (TrV 180)
Four last Songs (Lieder) for Soprano and orchestra: Frühling (Spring); September; Beim Schlafengehen (Bedtime); Im Abendrot (In the evening red),
Year of origin: 1948, o.op. 150 (TrV 296)
Four songs for a high voice with piano accompaniment: Blauer Sommer (Blue summer); Wenn (When); Weißer Jasmin (White Jasmine); Stiller Gang (Silent walk),
Year of origin: 1895, op. 31 (TrV 173)
Four songs (Lieder) for a high voice with piano accompaniment: Anbetung (Worship), Das Rosenband (The rosetape); Für fünfzehn Pfennige (For fifteen pennies); Hat gesagt - bleibt's nicht dabei (He has said, but it won’t stay at that)
Year of origin: 1898, op. 36 (TrV 186)
Four Songs (Lieder): Cäcilie (Cecily), Ruhe, meine Seele! (Quiet, my soul); Heimliche Aufforderung (Secret invitation); Morgen! (Tomorrow)
Year of origin: 1894, op. 27 (TrV 170)
Vom künftigen Alter (From future age) for bass voice with piano
Year of origin: 1929, o.op. 115 (TrV 260)
Vorüber ist der Graus der Nacht (The horror of the night is over)
Year of origin: 1896, AV 221 A (TrV 178)
Waldconcert (Forest concert)
Year of origin: 1871, o.op. 5 (TrV 5)
Waldesgesang (Forest chants)
Year of origin: 1882, AV 172 (TrV 112)
Weihnachtsgefühl (Christmas feelings)
Year of origin: 1899, o.op. 94 (TrV 198)
Weihnachtslied (Christmas song)
Year of origin: 1870, o.op. 2 (TrV 2)
Wer hat's getan? (Who did it ?)
Year of origin: 1885, o.op. 84 A (TrV 142)
Wiegenlied (Cradle song)
Year of origin: 1878, o.op. 41 (TrV 59)
Winterreise (Winter travels)
Year of origin: 1871, o.op. 4 (TrV 4)
Wir beide wollen springen (We both want to jump)
Year of origin: 1896, o.op. 90 (TrV 175)
Xenion
Year of origin: 1942, o.op. 131 (TrV 282)
Zugemessne Rhythmen reizen freilich (Measured rhythms naturally provoke)
Year of origin: 1935, o.op. 122 (TrV 269)
Two changts for a deep bass voice with orchestra accompaniment: Das Tal (The valley); Der Einsame (The longer)
Year of origin: 1906, op. 51 (TrV 206)
Two bigger chants for a deep voice with orchestra accompaniment: Notturno; Nächtlicher Gang (Evening walk)
Year of origin: 1899, op. 44 (TrV 197)
Two Songs (Lieder): Frühlingsgedränge (Spring hustle); O wärst du mein (Oh if you were only mine),
Year of origin: 1891, op. 26 (TrV 166)
Melodrama
Das Schloß am Meer (The castle by the sea), Melodrama after poem by Ludwig Uhlands
Year of origin: 1899, o.op. 92 (TrV 191)
Enoch Arden, Melodrama for piano
Year of origin: 1897, op. 38 (TrV 181)
Choral Works
An den Baum Daphne, Epilogue to Daphne for a mixed a cappella choir of nine voices
Year of origin: 1943, o.op. 137 (TrV 272a)
Austria, for large orchestra with male choir
Year of origin: 1929, op. 78 (TrV 259)
Bardengesang: Three songs for male chorus and orchestra
Year of origin: 1906, op. 55 (TrV 219)
Bardengesang from Hermann’s battle for male chorus and orchestra
Year of origin: 1886, AV 181 (TrV 144)
Besinnung (Reflection) for mixed chorus and orchestra
Year of origin: 1949, AV 306 (TrV 298 )
Cantate for four male voices a cappella,
Year of origin: 1914, o.op. 104 (TrV 232)
Choir from Elektra from Sophocles for male voices and orchestra
Year of origin: 1881, o.op. 74 (TrV 104)
Deutsche Motette (German Motet), for a cappella choir of four solo voice and 16 mixed voices
Year of origin: 1913, op. 62 (TrV 230)
Die Göttin im Putzzimmer (The Goddess in the cleaning room) for a cappella choir of eight mixed voices
Year of origin: 1935, o.op. 120 (TrV 267)
Die Tageszeiten (The times of the day) song cycle for male choir and orchestra: Der Abend (The evening), Der Morgen (The morning), Die Nacht (The night), Mittagsruh (Noon rest),
Year of origin: 1927, op. 76 (TrV 256)
Three male Choir: Der Brauttanz (The bridal couple’s dance), Lied der Freundschaft (Song of Friendship), Schlachtgesang (Battle song),
Year of origin: 1899, op. 45 (TrV 193)
Three Male Choirs: Traumlicht (Dream light), Vor den Türen (In front of the doors), Fröhlich im Maien (Merry in May)
Year of origin: 1935, o.op. 123 (TrV 270)
Durch Einsamkeiten (Through Loneliness) for four voice a cappella male choir
Year of origin: 1938, o.op. 124 (TrV 273)
Festchoir for chorus and piano
Year of origin: 1880, AV 169 (TrV 102)
Hymns for female choir, brass band, and orchestra
Year of origin: 1897, o.op. 91 (TrV 183)
Emperor Hymns for mixed choir
Year of origin: 1915, (TrV 218b)
Olympic Hymn for mixed choir and orchestra
Year of origin: 1934, o.op. 119 (TrV 266)
Schwäbische Erbschaft (Swabien inheritance) for a cappella male choir
Year of origin: 1884, o.op. 83 (TrV 134)
Six revised folk songs for four male voices a cappella choir: Geistlicher Maien (Spiritual May), Hüt du dich! (Protect yourself), Kuckuck (Cuckoo), Liebesjagd (Love hunt), Tummler (Tumbler), Wächterlied (Watcher’s song)
Year of origin: 1905, o.op. 101 (TrV 216)
Soldatenlied (Soldier’s song) for male choir a cappella
Year of origin: 1899, o.op. 93 (TrV 192)
Storm Song for six voices, choir and orchestra
Year of origin: 1885, op. 14 (TrV 131)
Taillefer, Ballade for mixed choir, solo and orchestral accompaniment
Year of origin: 1903, op. 52 (TrV 207)
Mass in D major, four movements for mixed chorus a cappella
Year of origin: 1877, o.op. 31 (TrV 54)
Folks hymn for mixed choir
Year of origin: 1906, (TrV 218a)
Two Chants: Hymne (Hymn), Der Abend (The evening) for 16 mixed choir voices a cappella
Year of origin: 1897, op. 34 (TrV 182)
Two Songs (Lieder) for a cappella choir of 4 mixed voices
Year of origin: 1876, o.op. 25 (TrV 37)
Two male choirs: Altdeutsches Schlachtlied (Old German battle song), Liebe (Love)
Year of origin: 1899, op. 42 (TrV 194)
Other Vocal Music
Der weiße Hirsch (The White Deer) for alto, tenor, and bass voices with piano
Year of origin: 1871, o.op. 6 (TrV 6)
Hab Dank du güt'ger Weisheitsspender (Give thanks you gracious wisdom donor) four lines of text for solo bass voice
Year of origin: 1939, o.op. 126 (TrV 275)
Hymn of the House Kohorn for two tenor and two bass voices
Year of origin: 1925, o.op. 113 (TrV 252)
Canon,
Year of origin: 1903, o.op. 95 (TrV 208)
Notschrei aus den Gefilden Lapplands (Cry of distress from the fields of Lapland) four lines of text for one voice
Year of origin: 1940, o.op. 127 (TrV 276)
Richard Till Khnopff
Year of origin: 1898, (TrV 188)
Seven songs with four voices for vocal quartet or mixed a cappella choir: Käferlied (Beetle song), Pfingsten (Pentecost), Schneeglöcklein (Snowdrops), Spielmannsweise, Trüb blinken nur die Sterne (Only the stars shine dimly), Waldessang (Chant of the Forest), Winterlied (Winter song)
Year of origin: 1880, o.op. 67 (TrV 92)
Utan svafvel och fosfor, from a Swedish matchbox for two tenors and two bass voices
Year of origin: 1889, o.op. 88 (TrV 159)
Wer tritt herein (Who enters here) six lined text for one voice
Year of origin: 1943, o.op. 136 (TrV 289)
